Our latest guest on Soundtracking – and boy have we had some crackers recently – is none other than Jodie Foster, who joins us to discuss her starring role in psychological thriller, A Private Life. Speaking French (it’s a French film), Jodie plays a renowned psychiatrist who launches a private investigation into the suicide of one of her patients, who she believes was murdered.
We also discuss Bugsy Malone, Taxi Driver and Silence Of The Lambs.
We have a couple of Pixar legends for you on our latest episode of Soundtracking. We’re thrilled to welcome writer / director Andrew Stanton and producer Lindsay Collins to the podcast on the much-anticipated release of Toy Story 5. Toy Story 5 has the band back together but facing an existential threat as Bonnie’s interest in them wanes as she is introduced to technology. In a beautiful stroke of creative circularity, Toy Story 5 is scored by Randy Newman, who also provided the music for the first film.
Slightly later than billed, our latest episode sees a welcome return to Soundtacking to the utterly charming Finneas O’Connell, who joins us to discuss his score for Beef 2. We’ve already spoken to Sonny Lee, creator and showrunner of the hugely acclaimed and successful Netflix show, so please do listen to that if you haven’t already. But it’s always such a joy to take a deep musical dive with Finneas, who speaks so eloquently about his craft. We get into Bond and Barbie too!
In a last minute change of plan, our latest guests on Soundtracking are Daniel Pemberton and Brian May, who join us to discuss their musical collaboration on Masters Of The Universe. Based on the classic cartoon, Masters Of The Universe tells the story of Adam, who returns to his home planet of Eternia to take his destiny as He-Man and confront his nemesis Skeletor.
This is a fascinating insight into Daniel and Brian’s process, not to be missed by score enthusiasts.
We bring you Edith’s conversation with Craig, recorded at the Byre Theatre in St Andrew’s in front of an audience. Craig goes into great depth about his storied career, his process, and the relationships he’s formed with the various luminaries he’s worked with.
Our latest guests on Soundtracking are director Olivia Newman and composer Dickon Hinchliffe, who join me to discuss Dickon’s score for Olivia’s Netflix film, Remarkably Bright Creatures. Based on the international bestseller of the same name by Shelby Van Pelt, it tells the story of an elderly cleaner at an aquarium who takes a young drifter under her wing, all under the watchful gaze of a giant octopus, who deepens and solidifies their connection.
Our latest guest is Kristin Scott Thomas, who joined Edith in front of an audience for our Soundtracking Film Club at Everyman Whiteley’s to discuss her new film My Mother’s Wedding – which she has co-written and directed, and also stars in. This is the first of our events in partnership with Range Rover, a brand synonymous with mastery in all its forms, championing those who push boundaries, define standards and create enduring impact. Both Soundtracking and Everyman align naturally with Range Rover’s core principles relating to leadership, cultural authority and creative excellence, so we’re absolutely thrilled they have chosen to support our podcast, which was recorded live in front of an audience following a screening of Kristin’s film.
Our latest guest on Soundtracking features as part of our Soundtracking Film Club, with writer and showrunner Neil Forsyth joined Edith at Everyman Whiteley’s to discuss the Netflix drama Legends. Featuring a wonderful ensemble cast – Tom Burke, Haley Squires and Steve Coogan among them – Legends tells the based-on-truth story of a small, poorly-resourced group of customs officers who went undercover to infiltrate some of the most notorious drug-trafficking gangs in the UK.
Our latest guest on Soundtracking is, as Edith mentions at the start of our chat, someone we owe a huge debt of gratitude to. For the impossibly likeable Jon Favreau was the very first guest she interviewed for the podcast, literally a decade ago! Back then, Jon discussed his take on The Jungle Book; today, he is with us to talk through the music of The Mandolorian & Grogu, which is scored by friend of the show, Ludwig Goransson
Our latest guests on Soundtracking are Dominic Treadwell-Collins and Elliot Hegarty, respectively the writer and lead director of the Disney + TV series, Rivals, season 2 of which is streaming now. Based on the novel by Jilly Cooper, it’s cheeky, nostalgic, raunchy, full of twists and turns and also incredibly funny. As well as featuring tonnes of classic 80s needle-drops, Rivals comes with a fantastic score – courtesy of Natalie Holt and Jack Halama.
Our latest guest on Soundtracking is Richard Gadd, creator of the phenomenon that is Baby Reindeer, who joins us to discuss his new project Half Man, which you can watch now on the BBC iPlayer and HBO Max. Starring Richard and Jamie Bell as non-blood-related brothers, it tells the story of a reunion at a wedding that leads to all manner of chaos, and deals with issues relating to toxic masculinity, family and identity.
It’s bonus time! And our bonus for you is a man much discussed on this podcast but making his debut as a guest. Composer Theodore ‘Teddy’ Shapiro joins us to discuss his work on The Devil Wears Prada 2, but also Severance, Dodgeball and much much more.
Finally, we bring you the second part of our conversation with the inimitable Oliver Coates, brought to you from St Luke’s Church in partnership with our very good friends at Milan Records.
Our latest episode of Soundtracking is one of our faves, as David Lowery returns for a fourth time to discuss the music of Mother Mary – recorded at a special event hosted by our good friends at Spotify. Starring Anne Hathaway and Michaela Coel, it tells the story of an iconic popstar whose reunion with a former costume designer forces her to confront her past. Mother Mary features several original songs, which David put together with the help of FKA Twigs, Charli XCX and Jack Antonoff. Regular co-collaborator, Daniel Hart, meanwhile provides the score. We also hear from Billie Elish and James Cameron, in an interview you can watch in full at our Youtube channel, Soundtracking Extra.
It’s a very special episode of Soundtracking, as we bring you the first part of our live recording with composer Oliver Coates, recorded at St Luke’s Church as part of the London Soundtrack Festival in partnership with our very good friends at Milan Records. We cannot tell you how much work Oliver put into the event – going way above and beyond the expectations for an average Q&A. So it is that you’ll hear him breaking down cues, deconstructing clips from films he’s worked on and whipping out (and performing on) his beloved cello.
